As a playwright, I’ve struggled with landing production opportunities for my new plays the traditional way. So I taught myself the art of self-producing.
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As a playwright, I’ve struggled with landing production opportunities for my new plays the traditional way. So I taught myself the art of self-producing.
Well, we’ve survived another Hollywood Fringe. I mean, barely. But we survived. This year’s festival was one of the most stressful I’ve ever experienced as a venue manager. However, as an actor, a producer, a designer, and a playwright, it was a complete success!
I’m thrilled to be a part of this year’s festival not only as a designer, playwright, and venue manager, but also as a performer! That’s right, ya boy’s performing in a show this year, and I’m super stoked for you to come and see it!
Last week, I had the pleasure of being a guest on James Elden’s Playwright’s Spotlight, a theatre podcast about playwriting. His show usually runs a solid hour to ninety minutes, and it’s a “writers on writing” podcast. However, we did a full two hours!
It’s been a bit since I’ve talked about career stuff on here. I’ve been hard at work submitting, connecting with casting folks, and developing my own material.
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